The concept has come into literary and visual art criticism by analogy with the. After 2010 xenophobia became increasingly prevalent in the widely used social media.
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Jiyeon Kang reports a common pattern scapegoating dark-skinned migrants by gender race and class.
. It is in general used to describe Western appropriations of nonWestern or nonwhite forms and carries connotations of exploitation and dominance. They are presented as accomplices and beneficiaries of the elite coalition allegedly taking traditional rights away from South Korean male citizens. A term used to describe the taking over of creative or artistic forms themes or practices by one cultural group from another.
In a 20102014 World Values Survey.
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